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Deep Space Nine Companion (Star Trek Deep Space Nine) [Terry J. Erdmann, Paula M. Get your Kindle here, or download a FREE Kindle Reading App. Star Trek: Deep Space Nine (sometimes abbreviated to ST: DS9 or DS9) is a science fiction television program that premiered in 1993 and ran for seven seasons, ending in 1999. Oct 24, 2014 - Star Trek Deep Space Nine. Free Brianwisniewski Windows 98/Me/NT/2000/XP/2003/Vista/Server 2008/7/8 Version final Full Specs.

When Star Trek: Deep Space Nine first aired a quarter of a century ago this year, it immediately earned the mantle of being the “odd one out” when it came to Star Trek shows. It’s easy to understand why: It was the first Trek not created by Gene Roddenberry, nor did it follow the voyages of the Starship Enterprise which the previous two iterations had. Indeed, it bucked the whole basic Trek premise of “boldly going where no one has gone before” in that it was set on a space station rather than a starship. No one would have been surprised if Deep Space Nine had failed.

And while it’s true that it never reached the ratings highs of The Next Generation, DS9 proved popular amongst fans and critics alike, with numerous pundits citing it as the best Star Trek series outright. It’s fair to say that Deep Space Nine has aged very well compared to some of the other Trek offerings, largely because the themes it explored, and its method of storytelling, were both ahead of its time. As good as The Next Generation became, and as ground-breaking as The Original Series was, for many fans Deep Space Nine is the pinnacle of Trek storytelling. Here’s why.

Spoilers follow for Deep Space Nine.

Diverse and Complex Characters (and a Brilliant Cast)

DS9 had a lead character that was far more complex and nuanced than those that came before… and arguably those who have followed.

Not only was the general premise of Deep Space Nine so different to what had come before, so too was its cast of characters. The series lead, Benjamin Sisko (portrayed so passionately by Avery Brooks), was far removed from Kirk and Picard – and the fact that he was Star Trek’s first black lead was only part of it.

“Emissary,” DS9’s pilot episode, first aired in January 1993, less than a year after the Los Angeles Riots – the casting of a black man as DS9’s lead was a poignant social statement in and of itself. Through Sisko, DS9 was able to explore the historical plight of African-Americans, which essentially culminated in what is often cited as one of the finest and strongest moments in television history: the season 6 episode “Far Beyond the Stars,” which sees Captain Sisko hallucinating that he’s a struggling black sci-fi pulp writer in mid-20th century America who must deal with the bigotry that a black person in that time period experienced on a daily basis. Many felt that Avery Brooks’ performance in the episode was worthy of an Emmy, and the fact that he also directed the episode goes a long way to proving just how passionate Brooks and DS9’s producers were about tackling such confronting material. Throw in the fact that Sisko was both a father and a widower, and unlike Star Trek’s previous leads, was not initially a captain (until the end of Season 3), and you have a main character that was far more complex and nuanced than was typical for the era.

Deep Space Nine’s cast of characters was diverse and well-written.

But the complexity of Benjamin Sisko was really just the tip of the iceberg. For many, DS9’s defining character was Major Kira Nerys, a member of the Bajoran Militia, Sisko’s first officer, and a former terrorist. One of the most compelling elements of Deep Space Nine is watching how the characters evolve over its seven-season run, and none are more compelling than the growth of Major Kira. When we first meet her, she is brash, arrogant, distrustful and often downright hostile, especially towards the Federation characters. It’s understandable too – she’s spent most of her life as a freedom fighter, staging terrorist attacks on the Cardassian forces which had occupied and brutalized her world for half a century. She’s angry… angry at the Cardassians, angry at the Federation, angry at her own people and, most of all, she’s angry with herself for the past deeds she’s committed and which still haunt her.

Remember, Kira was first conceptualised almost a decade before the events of 9/11 changed the world and terrorism became the ultimate of evils in the eyes of western civilisation, and she’s one of many examples of how DS9 was ahead of its time. Kira’s also the first example in the Trek universe of a woman being in a command position. Previously, women on Star Trek largely filled stereotypical roles such as medical, nursing, counselling and communications (with the exception being Denise Crosby’s Tasha Yar, who served as the Enterprise-D’s chief of security… before she was killed off in the first season). Kira was different. She was the highest-ranking Bajoran Militia officer on the station, the outright second-in-command. She often led missions herself and was routinely left in command of the space station when Sisko was absent. She wasn’t equipped with a uniform consisting of a short skirt and plunging neckline, nor was she afraid to express disgust at any unwanted male advancements. Played to perfection by Nana Visitor, the character has certainly withstood the test of time.

Major Kira Nerys (Nana Visitor)

There’s so much more that could be said for the diversity of Deep Space Nine’s cast. Dr. Bashir (Alexander Siddig) is a British man of presumably Indian or Middle Eastern descent (his specific ethnicity is never said), Sisko’s son Jake (Cirroc Lofton) grows from a boy to a man over the seven seasons and becomes an accomplished writer, and Jadzia Dax (Terry Farrell) has been both a woman and a man numerous times in previous lives and is now a highly competent Starfleet science officer. They’re just three perfect examples of how the show embraces diversity. It’s also the Trek series with the least number of humans in the main cast; the show developed and explored the rich cultures of numerous alien species, who were often used as allegories to real-world cultures in the present era, adding much depth to the story and the Star Trek universe as a whole.

Deep Space Nine is also the only series to have built an enormous cast of recurring characters that are just as integral to the series as the main characters. From fan favourites such as Nog (Aron Eisenberg), Rom (Max Grodenchik), Garak (Andrew Robinson) and General Martok (J.G. Hertzler) to some of the best Star Trek villains ever to grace the screen in Gul Dukat (Marc Alaimo), Kai Winn (Louise Fletcher) and Weyoun (Jeffery Combs), DS9’s supporting cast is full of well-written characters that are performed to perfection.

Serialized Storytelling

Storylines that were introduced in the pilot episode weren’t concluded until the series finale.

For anyone born post-2000, the concept of standalone episodic television would be pretty foreign… every show now is serialized, with season- or series-long story arcs forming complex and in-depth narratives that really allow writers to explore and develop engaging characters. Back in the early ’90s, serialized television was mostly the domain of daytime soap operas, with primetime television largely adhering to the episodic formula. Many attribute the shift to serialized story-telling to ground breaking premium cable shows such as The Wire and The Sopranos in the late ’90s/early 2000s. But Deep Space Nine had been presenting story arcs in a serialized format since its beginning in 1993. Indeed, storylines that were introduced in the pilot episode weren’t concluded until its series finale, “What You Leave Behind.”

While the first season largely stuck to the episodic format that The Original Series and The Next Generation had followed – where everything returns to the status quo at each episode’s conclusion – it was the second season that really began to explore the concept of serialization. The Season 2 opening arc consisted of three episodes, “The Homecoming,” “The Circle” and “The Siege,” which continued and expanded upon a storyline that was introduced in the Season 1 finale, “Tears of the Prophets.” Indeed, it got to the point where almost every episode referenced earlier or ongoing events, even the ones that were largely standalone.

Benjamin Sisko (Avery Brooks) and Kai Opaka (Camille Saviola) in the debut episode of DS9.

The end of Season 5 saw an event which largely came to define Deep Space Nine – the beginning of the Dominion War, which had far-reaching repercussions that were felt and referenced in both Star Trek: Voyager and the Next Generation films. The foundations for the Dominion War had been established as early as the Season 2 episode “Rules of Acquisition” and would become the primary story for the final two seasons of Deep Space Nine. Indeed, the first six episodes of Season 6 told a continuous story, which culminated in the episode “Sacrifice of Angels” which also saw the largest and most visually spectacular space battle that had ever been portrayed onscreen in Trek history. While there were still standalone episodes in the final two seasons of DS9, the Dominion War was always in the background, and mentioned in some way, shape or form in every episode.

The final arc of the show saw the conclusion of both the Dominion War story arc and the Prophets/Bajor/Emissary story arc (as well as a number of smaller, long-running stories), and spanned a massive 10 episodes, beginning with the episode “Penumbra” and concluding with the series finale “What You Leave Behind.” By choosing to serialize the show’s final stretch, the writers afforded themselves the screen time to conclude every loose story thread, as well as provide fitting and satisfying endings for each and every character, both regular and recurring.

It wasn’t just the main story arcs that were presented in a serialised format. B-story arcs such as the Mirror Universe, Maquis and the Ferengi arcs all spanned numerous seasons, and often all these threads would intersect and crossover, so that you really got the impression that the universe of Deep Space Nine was a living, breathing thing.

List of Star Trek: Deep Space Nine novels based on the American science fiction television series of the same name. The television series was syndicated from 1993 to 1999. The book line was published by Simon & Schuster imprints Pocket Books, Pocket Star, Gallery, and Atria.

All novels published as paperback editions, except where indicated.

• 2Original novels
• 3Crossover novels
• 4Relaunch novels

Episode novelizations[edit]

Adaptations of selected episodes.^[1]A Call to Arms (1998) and Sacrifice of Angels (1998) are based on seven interlinked episodes from Deep Space Nine's Seasons 5 and 6, beginning with 'Call to Arms'. Emissary (1993) was published as Deep Space Nine, Book 1.

Original novels[edit]

Includes numbered and unnumbered novels: ^[1]

Deep Space Nine (young adult) (1994–1998)[edit]

Star Trek: Deep Space Nine young adult miniseries follows the adventures of Jake Sisko and Nog while living aboard Deep Space Nine. The novellas were published in children's chapter book format.

Rebels (1999)[edit]

Star Trek: Deeps Space Nine: Rebels miniseries follows the crew of the USS Defiant as they help free an occupied world. Written by Dafydd ab Hugh. The novels were published as Books 24 – 26.

Millennium (2000)[edit]

Star Trek: Deep Space Nine: Millennium miniseries explores an alternate-timeline created after the USS Defiant is transported twenty-five years into the future. Written by Judith and Garfield Reeves-Stevens. An omnibus edition was published in 2002.

Crossover novels[edit]

The following novels were part of multi-author miniseries which crossed over various Star Trek book lines including: The Next Generation, Voyager, New Frontier, and The Original Series. Since 2001, no new crossover series have been published. The relaunched novels are linked in a similar fashion, containing shared characters and plots from other book lines and novels. Only Deep Space Nine novels are listed.

Invasion! (1996)[edit]

Star Trek: Invasion! crossover miniseries spanned each of the Star Trek television series broadcast prior to 1996. The novels were thematically linked. An omnibus edition was published in 1998 containing additional material. The series was conceived and edited by John J. Ordover.^[2]

Day of Honor (1997)[edit]

Star Trek: Day of Honor crossover miniseries is inspired by the Voyager episode 'Day of Honor'. The series was conceived by Paula M. Block and John J. Ordover. An omnibus edition was published in 1999.

The Captain's Table (1998)[edit]

Star Trek: The Captain's Table crossover miniseries is narrated by various starship captains during their visits to a trans-dimensional bar called The Captain's Table. An omnibus was published in 2000. An anthology of related stories was published in 2005.

The Dominion War (1998–2004)[edit]

Star Trek: The Dominion War crossover miniseries depicts events leading up to the Dominion War. The first and third novels focus on the crew of the USS Enterprise, while the second and fourth novels are novelizations of a seven-episode arc from Deep Space Nine's sixth and seventh seasons. The novels contain additional characters and situations created by the authors.^[3]The Battle for Betazed (2002), by Charlotte Douglas and Susan Kearney, is linked to the series.

Double Helix (1999–2002)[edit]

Star Trek: The Next Generation: Double Helix miniseries is based upon and inspired by the film Outbreak (1995).^[4]:434 Created by John J. Ordover and Michael Jan Friedman. An omnibus edition was published in 2002. Vectors (1999), by Dean Wesley Smith and Kristine Kathryn Rusch, includes character from Deep Space Nine, but was published as The Next Generation, Book 51.

Section 31 (2001–17)[edit]

Star Trek: Section 31 crossover miniseries was inspired by the autonomous, clandestine, paramilitary organization introduced in the Deep Space Nine episode 'Inquisition'. The series continued with Disavowed (2014) and Control (2017), by David Mack, which are linked with the relaunch novels.

Gateways (2001)[edit]

Star Trek: Gateways crossover series was created by Robert Greenberger and John J. Ordover. The series concluded with the anthology What Lay Beyond (2001). An omnibus was announced at the Shore Leave convention in 2001, but was never published.^{[citation needed]}

Relaunch novels[edit]

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The book line was relaunched in 1999 with the publication of the anthology The Lives of Dax, edited by Marco Palmieri. All novels published since are interlinked, and depict the events after the episode 'What You Leave Behind'.^[5] Relaunch novels include characters, plots, and settings from other book lines.

Star Trek Deep Space Nine Wiki

Mission Gamma (2002–2017)[edit]

Star Trek: Deep Space Nine: Mission Gamma miniseries follows the crew of the USS Defiant under the command of Elias Vaughn. Not to be confused with the Gamma (2017) miniseries, which has a similar premise. These Haunted Seas (2008) is a collection of Books 1 and 2.

Worlds of… (2004–05)[edit]

Worlds of Star Trek: Deep Space Nine explores the various home worlds of the crew and residents of Deep Space Nine. Created by Marco Palmieri.

Gamma (2017)[edit]

Star Trek: Deep Space Nine: Gamma miniseries follows the crew of USS Robinson under the command of Benjamin Sisko. Only one novel has been published. Not to be confused with the Mission Gamma (2002) miniseries which has a similar premise.

See also[edit]

Notes[edit]

1. ^As by Quark, a resident of the Deep Space Nine station, as told by Ira Steven Behr.
2. ^As by Quark, as told to Robert Hewitt Wolfe and Ira Steven Behr.
3. ^ ^abAs by Benjamin Sisko, told in his own words, as recorded by Dean Wesley Smith and Kristine Kathryn Rusch.
4. ^ ^abcdeStatus as a Star Trek: Deep Space Nine relaunch novel or anthology is disputed among primary sources.
5. ^Invasion! (1998) by John J. Ordover, editor, with Diane Carey, Dean Wesley Smith, Kristine Kathryn Rusch, L.A. Graf, and Dafydd ab Hugh.
6. ^Day of Honor (1999) by Diane Carey, L.A. Graf, Michael Jan Friedman, Dean Wesley Smith and Kristine Kathryn Rusch, and Diane G. Gallagher.
7. ^The Captain's Table (2000) by L.A. Graf, Michael Jan Friedman, Dean Wesley Smith and Kristine Kathryn Rusch, Diane Carey, Peter David, Jerry Oltion.
8. ^Double Helix (2002) by John Gregory Betancourt, Dean Wesley Smith and Kristine Kathryn Rusch, Diane Carey, John Vorhnolt, Peter David, and Michael Jan Friedman and Christie Golden.
9. ^Gateways: What Lay Beyond (2001) by John J. Ordover, editor, with Diane Carey, Peter David, Keith DeCandido, Christie Golden, Robert Greenberger, and Susan Wright.
10. ^Originally published as Star Trek: The Lives of Dax. Second printing included the rounded Star Trek: Deep Space Nine mark used for the relaunch series.
11. ^A Stitch in Time (2000), by Andrew J. Robinson, was published as Deep Space Nine, Book 27.
12. ^Deep Space Nine: Twist of Faith (2007) by S.D. Perry, David Weddle and Jeffrey Lang, Keith DeCandido.
13. ^Exact date of release is not known, or not available via primary sources. Approximated to the nearest month.

References[edit]

1. ^ ^ab'Series: Star Trek: Deep Space Nine'. ISFDB. Retrieved 2019-02-08.
2. ^Ordover, John J., ed. (June 1998). 'A Word from the Editor'. Invasion!. Star Trek. New York: Pocket Books. p. 937. ISBN0-671-02185-0.
3. ^Bowden, Steve; Nansi, Salman A. (August 1999). Nemecek, Larry (ed.). 'What You Leave Behind: Novelizing the Finale'. Star Trek Communicator. No. 124. p. 86. ISSN1080-3793.
4. ^Ayers, Jeff (2006-11-14). Voyages of the Imagination: The Star Trek Fiction Companion. New York: Pocket Books. ISBN978-1-4165-0349-1.
5. ^Lyons, Robert (2009-07-19). 'Library Computer: TrekMovie Guide To The Deep Space Nine 'Relaunch''. TrekMovie.com. Retrieved 2014-11-06.

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External links[edit]

• List of Star Trek: Deep Space Nine novels series listing at the Internet Speculative Fiction Database
• Star Trek: Deep Space Nine (Pocket) at Memory Alpha (a Star Trekwiki)

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